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Reflections in Glass

by Linda Schweitzer on 3/30/2009 2:08:06 PM
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...Pansy...
oil on canvas - 6" x 6"

I wonder how many artists have gone insane trying to paint reflections in glass? I thought it would be a fun challenge, and it was! But these are daily paintings, meaning they are supposed to be simple subjects that don't take very long to paint. I remember taking a workshop with Don Eddy, who made a name for himself painting reflections in glass--row upon row of glasses, in display windows, in a photo-realistic style. Now that he is older, he says he was showing off when he did it, trying to impress other artists. (I know it sure impressed me!) It made him one of 5 living artists included in Jansen's History of Art (4th ed), the standard introductory college art history text. However, he feels that art should have a deeper meaning, and of course that is good too. But there's nothing wrong with showing off, in my opinion. Just shout, "Hey world! Look at this! Isn't it great!" After all, athletes do it all the time.

Anyway, after all this talking, I guess what I'm trying to say is, "Reflections in glass sure are hard," without sounding like I'm whining...

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10% Chance of Snow Flurries

by Linda Schweitzer on 2/6/2009 2:33:58 PM
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This was an almost completely light and dark gray scene. (No white, too overcast). To keep it from being too cold, I toned the ground a light orange. With blues and purples applied on top of the orange, it takes on an almost luminescent quality. Really neat!

8x10" - oil on canvas

John Twachtman, one of my favorite artists, would have loved this weather.

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Landscape Composition

by Linda Schweitzer on 5/11/2008 9:58:58 AM
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I was reading the book, American Light, The Luminist Movement 1850-1875, and came across the following:

“By the 1850’s the features of the picturesque composition—rough foreground, reflecting body of water in the middle ground, and mountains in the distance—were a commonplace. There was even a standard circuit taken by artists and tourists of the picturesque spots in the mountains of New York state and New England. The most favorable viewpoints for observing the famous scenery were often marked by a rest house and publicized in books illustrated by the traveling artists.” 

How funny! No wonder so much of the art at that time seemed to have a standardized look. But the real reason this got to me, is that I’m working on a painting with a rough foreground, mountains in the distance, and I’m trying to think of ways to improve the composition and make it more interesting... So I was planning to put a few puddles of water in the middle ground that would reflect the sky! 


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